Last night as we finished our pre-bed ritual of Wordle, Max said, 'Appa, did you know that you would be called a Xenial? You belong to a generation that grew up without the internet but became its first users. And then there is another group between Millennials and Gen Z called Zillenials.'

"No, I didn't know that," I replied.

As he decided to read a chapter or two on his Kindle before he fell asleep, I made my way to the bed and looked it up. He was right! I can be termed a Xennial (with a double n).

That led me down a path of reminiscence.

The best moments of my childhood coincided with the twilight of a world before the internet; I remember clearly that such a time existed, and it had its own unique benefits.

I thought... Of friends who drifted away from me and ones I drifted away from. Of faded memories of playing football and cricket on streets, dried lakebeds, and unoccupied plots of land. Of places, now changed beyond recognition, once familiar, now strange. The past is indeed a foreign land and its customs bizarre1.

Later, after I've tucked Max in and the house has settled into quiet, I return to Joseph Jebelli's The Brain at Rest. Reading about boredom as a neurological necessity, about how the unstimulated brain actually works harder, creates new connections, solves problems we didn't know we had—I think about those long afternoons of my childhood. The ones that felt endless, oppressive even. Hours spent staring at ceilings, wandering empty lots, waiting for something, anything, to happen. What seemed like emptiness was actually my brain at work. I wonder what Max's brain does in those moments between stimulation, if such moments even exist for him anymore. He hates being bored.

🎶 Background music whilst writing: Music to write Faster & Better (YouTube)


  1. The opening line of L. P. Hartley’s novel, The Go-Between 

Yesterday, I was looking for a topic I knew I’d written about before. But I wasn’t sure if I’d ever published it. So I went searching — through my vault of old drafts, partial posts, abandoned ideas, and half-finished pieces. Organizing that vault has been on my "someday” list for a while now. I keep putting it off.

And then I started reading some of the old drafts. It felt like walking back into a room I used to live in, one I hadn't entered in years. A room that I could navigate with the lights off.

And there it was—the piece I'd been looking for, sitting among all the others I'd abandoned. Which made me wonder: why had I left so many of these unfinished, unpublished?

I’d tell myself I was too busy. That the ideas had gone stale. That I’d moved on. But really, it was a quieter resistance. The kind that doesn’t announce itself but just lingers.

Writing, when it happens in the moment, feels fluid. Like catching a thought before it takes a more concrete shape. Rewriting, though — that’s different. It’s not just editing words. It’s stepping back into the mindset that made them.

That’s when I understood: rewriting isn’t polishing. It’s time travel with consequences.

Reading old writing isn’t just revisiting the words. It’s meeting the person who wrote them. The turns of phrase I thought were clever. The tone I thought struck the right balance. The ideas I believed were solid, maybe even worth sharing.

Sometimes I nod along; sometimes I wince. I catch myself wondering, not “What was I thinking?” — but “Who was I trying to be?

Rewriting asks for more than a better sentence. It asks what’s changed, not just in how I write, but in what I believe.

Some pieces I revisit and think, “Yeah, I still mean this.” Others… I hesitate. The words are fine, but the person behind them feels distant. And that’s the hard part.

Editing, when it’s honest, isn’t just improving. It’s letting go.

I still don’t love going back. Some drafts feel like fossils. Others feel too close, like they’re still breathing. But I’m learning to treat them with care.

Revisiting those moments isn't just about cleaning them up. It's about listening to who I was, so I can respond with who I am now.

Each one holds a version of me — what I noticed, what I believed, what I thought was worth capturing.

So yes, rewriting is time travel with consequences. And one of them is meeting yourself again...

Banner image is Saint Jerome in His Study by Albrecht Dürer.